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12 styles
BASIC
12 styles
ALTERNATE
12 styles
SMALLCAPS
37 styles + 2 Variable types
FULL FAMILY
Pangram
CLICK ON TEXT TO EDIT

Coco Gothic Ultralight

apply to all

Coco Gothic Ultralight Italic

apply to all

Coco Gothic SmallCaps Ultralight

apply to all

Coco Gothic SmallCaps Ultralight Italic

apply to all

Coco Gothic Light Italic

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Coco Gothic SmallCaps Light

apply to all

Coco Gothic SmallCaps Light Italic

apply to all

Coco Gothic Light

apply to all

Coco Gothic Regular

apply to all

Coco Gothic Italic

apply to all

Coco Gothic SmallCaps Italic

apply to all

Coco Gothic SmallCaps Regular

apply to all

Coco Gothic Bold

apply to all

Coco Gothic Bold Italic

apply to all

Coco Gothic SmallCaps Bold

apply to all

Coco Gothic SmallCaps Bold Italic

apply to all

Coco Gothic Heavy

apply to all

Coco Gothic Heavy Italic

apply to all

Coco Gothic SmallCaps Heavy

apply to all

Coco Gothic SmallCaps Heavy Italic

apply to all

Coco Gothic Fat

apply to all

Coco Gothic Fat Italic

apply to all

Coco Gothic SmallCaps Fat

apply to all

Coco Gothic SmallCaps Fat Italic

apply to all

Coco Gothic Alternate Ultralight

apply to all

Coco Gothic Alternate Ultralight Italic

apply to all

Coco Gothic Alternate Light

apply to all

Coco Gothic Alternate Light Italic

apply to all

Coco Gothic Alternate Regular

apply to all

Coco Gothic Alternate Italic

apply to all

Coco Gothic Alternate Bold

apply to all

Coco Gothic Alternate Bold Italic

apply to all

Coco Gothic Alternate Heavy

apply to all

Coco Gothic Alternate Heavy Italic

apply to all

Coco Gothic Alternate Fat

apply to all

Coco Gothic Alternate Fat Italic

apply to all

Coco Tardis Variable

apply to all

Weights

  • C
    Ultralight
  • C
    Light
  • C
    Regular
  • C
    Bold
  • C
    Heavy
  • C
    Fat
Designed by Cosimo Lorenzo Pancini part of Coco Collection set Version 1.0 / released in 2015
Download Specimen
Coco Gothic is a contemporary take on the retro geometric sans serif style of early XX century typefaces like Futura and Avantgarde. The cold, geometric shapes typical of those modernism typefaces have been made softer and more contemporary by visual corrections and slightly rounded corners and a minimalistic design feel. The name of the typeface family comes from the nickname of fashion beloved icon Coco Chanel. It comes in six weights with matching italics and features an extended character set with open type support for small caps, ligatures, alternates, European languages, Greek and Cyrillic alphabets. In 2017 a revised version was released, including 12 alternate and 12 smallcaps weights for a total of 36 fonts ready to solve your design problems. Equipped with a rich array of historical variants, Coco Gothic is also an encyclopedia of styles from the last century, ready to transform itself and adapt to the mood of your text. You can check a visual presentation of this type family on our   Show all
Coco Gothic is a contemporary take on the retro geometric sans serif style of early XX century typefaces like Futura and Avantgarde. The cold, geometric shapes typical of those modernism typefaces have been made softer and more contemporary by visual corrections and slightly rounded corners and a minimalistic design feel. The name of the typeface family comes from the nickname of fashion beloved icon Coco Chanel. It comes in six weights with matching italics and features an extended character set with open type support for small caps, ligatures, alternates, European languages, Greek and Cyrillic alphabets. In 2017 a revised version was released, including 12 alternate and 12 smallcaps weights for a total of 36 fonts ready to solve your design problems. Equipped with a rich array of historical variants, Coco Gothic is also an encyclopedia of styles from the last century, ready to transform itself and adapt to the mood of your text. You can check a visual presentation of this type family on our Behance Coco Gothic Page. Please notice: All advanced features (small caps, alternate sets & ligatures) are developed using open type technology, fully compatible with Adobe software and major design softwares and OS, but not supported by every software. Historical variants included only for uppercase letters, and avalaible in Indesign / Photoshop through stylistic sets and in illustrator through Glyph Window. Download trial version and check your configuration before buying.

Available Formats:

Truetype

Writing system:

Latin

Language Supported:

213 Languages  Show all Hide all
English, Spanish, Portuguese, French, German, Javanese (Latin), Vietnamese, Turkish, Italian, Polish, Afaan Oromo, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Igbo, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Zarma, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Nahuatl, Silesian, Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Irish, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Kaingang, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Onĕipŏt, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Icelandic, Old Norse, Slovio (Latin), Volapük

Features

  • (HO!)
    Case-Sensitive Forms
  • stct
    Discretionary Ligatures
  • HAECQ
    Stylistic Set 4
  • HAECQ
    Stylistic Set 7
  • 1a 3th
    Ordinals
  • 12360
    Lining Figures
  • 12360
    Proportional Figures
  • 12360
    Oldstyle Figures
  • 1234
    Tabular Figures
  • H123
    Denominators
  • H123
    Subscript
  • H123
    Superscript
  • H123
    Scientific Inferiors
  • H123
    Numerators
  • 120
    Slashed Zero

Variable Typefaces

Variable Preview

Variable fonts might not be supported by all software

Coco Gothic Heavy
CLICK ON TEXT TO EDIT

European languages

Coco Gothic Ultralight
CLICK ON TEXT TO EDIT

The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.

Coco Gothic Regular
CLICK ON TEXT TO EDIT

The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary. The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.

A UNI41
810 Glyphs
213
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